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SANTA MONICA · 2026–27 SEASON

Great music.
Fresh perspectives.

From the ideas of Plato to the imagination of Frank Zappa. Five programs that invite you to hear something differently.

Discover the season Meet Brian Stone, Music Director ↗
The American Prize seal

NATIONAL RECOGNITION · 2025

Award-winning programming.

Westside Chamber Orchestra won The American Prize in Orchestral Programming—the Vytautas Marijosius Memorial Award—in the professional division.

Read the award announcement
NEXT CONCERTFrom PhilosophyFeaturing Martin Chalifour

FIFTH SERIES

The 2026–27 season

Saturdays at 7pm
St. Paul’s Church
958 Lincoln Boulevard, Santa Monica

We are happy to present five bold, imaginative concerts this season. Each program is thoroughly prepared and presented with context and vitality to give our audience an enriching, aspirational experience.

NOV142026 · SATURDAY7:00 P.M.01 / FROM IDEAS TO MUSICFrom PhilosophyFeaturing Martin ChalifourSatie · Bernstein

One of the major foundational texts in Western thought, Plato’s Symposium, is the inspiration for these two extraordinary pieces of music.

Martin Chalifour, who was for thirty years the concertmaster of The Los Angeles Philharmonic, joins us as soloist in Leonard Bernstein’s fabulous Serenade after Plato’s Symposium for Violin and Chamber Orchestra. Erik Satie’s placid and beautiful Socrate gives verbal articulation to some of the very same ideas that motivated Bernstein. Sung in French by Brooke Iva-Lohmann, Emily Scott, Kimberly Poli, and Rachel Labovitch.

  • Erik SatieSocrate
  • Leonard BernsteinSerenade after Plato’s “Symposium”

Martin Chalifour, violin soloist
Brooke Iva-Lohmann, Emily Scott, Kimberly Poli, and Rachel Labovitch, vocalists

Saturday at 7:00 p.m.
St. Paul’s Church · 958 Lincoln Boulevard, Santa Monica

Get tickets on Eventbrite
APR102027 · SATURDAY7:00 P.M.02 / STORIES IN SOUNDFrom FolkloreGlinka · Berio · Revueltas · Price · Kodály

Folk music from nine different countries in the old world and the new world are given brilliant treatments from Romantic Russia, The Mexican Renaissance, post-war America and 1930’s Hungary. Mezzo-soprano Meagan Martin will join to sing versions from the Italian Avant-Garde.

  • Mikhail GlinkaKamarinskaya
  • Luciano BerioFolk Songs
  • Silvestre Revueltas8 x Radio
  • Florence PriceSuite of Dances
  • Zoltán KodályDances from Galánta

Meagan Martin, mezzo-soprano

Saturday at 7:00 p.m.
St. Paul’s Church · 958 Lincoln Boulevard, Santa Monica

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JUN262027 · SATURDAY7:00 P.M.03 / A WORLD OF CONTRASTSFrom AustriaMozart · Schoenberg · Strauss · Mahler

This tiny, landlocked country was once a vast multi-cultural empire whose capital, Vienna, played a central role in the history of Western Music from the rise of classicism to the birth of modernism.

Santa Monica native and principal oboe of the Los Angeles Philharmonic Ryan Roberts will be featured in the Oboe Concerto by the eternal master of classicism, Mozart. Progenitor of modernism — and longtime Westside resident — Arnold Schoenberg will be represented by his thrilling and dramatic Chamber Symphony followed up by his version of a waltz by his beloved Viennese forebear, Johann Strauss. Our concert opens with Mahler’s romantic Blumine.

  • Gustav MahlerBlumine
  • Wolfgang Amadeus MozartOboe Concerto
  • Arnold SchoenbergChamber Symphony No. 1
  • Johann Strauss II / Arnold SchoenbergEmperor Waltz

Ryan Roberts, oboe

Saturday at 7:00 p.m.
St. Paul’s Church · 958 Lincoln Boulevard, Santa Monica

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JUL312027 · SATURDAY7:00 P.M.04 / EXPECT THE UNEXPECTEDRuffling FeathersVarèse · Beethoven · Zappa · Schickele

Rattling the pots and pans.
Stirring the pot.
Making waves.
Rocking the boat.

These quirky outsiders had compelling voices and the talent and technique to express the full range of human emotions from subversive humor to political rage. And all in a unique and memorable way that still beguiles attention today.

  • Edgard VarèseOctandre
  • Ludwig van BeethovenGrosse Fuga
  • Frank ZappaThe Perfect Stranger
  • P.D.Q. Bach (Peter Schickele)The Unbegun Symphony

Saturday at 7:00 p.m.
St. Paul’s Church · 958 Lincoln Boulevard, Santa Monica

Get tickets on Eventbrite
AUG282027 · SATURDAY7:00 P.M.05 / THE SEASON FINALEFrom Three CenturiesDvořák · Hindemith · Haydn

Three sections of the orchestra each play music from one of three centuries. The woodwinds give us Dvorak’s beautiful Serenade from the 19th Century. The 20th Century is represented by Paul Hindemith’s flashy and virtuosic Concertmusic for Strings and Brass. And from the 18th Century, the last section of the orchestra, percussion, joins everybody in the Drumroll Symphony (#103) by symphonic master Haydn.

  • Antonín DvořákSerenade, Op. 44
  • Paul HindemithConcertmusic for Strings and Brass
  • Joseph HaydnSymphony No. 103, “Drumroll”

Saturday at 7:00 p.m.
St. Paul’s Church · 958 Lincoln Boulevard, Santa Monica

Get tickets on Eventbrite

OUR CONCERT HISTORY

Past concerts

Explore the music and guest artists from our earlier seasons.

August 2026From Religion
  • Henri TomasiFanfares liturgiques
  • StravinskyAbraham and IsaacMichael Segura, baritone
  • PergolesiStabat MaterTiffany Ho, soprano · Rachel Labovitch, mezzo-soprano
July 2026From France
  • Paul DukasFanfare to La Péri
  • PoulencSinfonietta
  • BizetSymphony in C
June 2026From Scotland
  • DebussyMarche écossaise
  • Peter Maxwell DaviesAn Orkney Wedding, with SunriseGlen Thompson, piper
  • MendelssohnSymphony No. 3 “Scottish”
April 2026From Germany
  • MendelssohnNocturno for Winds
  • R. StraussMetamorphosen
  • MozartSymphony No. 39
November 2025From Baroque Dancing
  • Arnold SchoenbergSuite for Strings
  • FauréMasques et bergamasques
  • J. S. BachOrchestral Suite No. 3
August 2025Goin’ to Town
  • WaltonPortsmouth Point Overture
  • BarberKnoxville: Summer of 1915Rachel Mellman, soprano
  • MozartSymphony No. 36
July 2025Classical Saxophone
  • RossiniIl signor Bruschino Overture
  • AlbinoniConcerto San MarcoHarvey Pittel, saxophone soloist
  • SchubertSymphony No. 2
June 2025Other People’s Music
  • Charles IvesWashington’s Birthday
  • BrahmsVariations on a Theme by Haydn
  • Luciano BerioBeatles SongsTiffany Ho, soprano
  • StravinskyPulcinella Suite
August 2024Voilà Viola
  • BachBrandenburg Concerto No. 6
  • HindemithDer SchwanendreherJonah Sirota, viola soloist
  • BrahmsSerenade No. 2
July 2024Genre Generics
  • Anton WebernConcerto for Nine Instruments
  • BartókDivertimento
  • HaydnSymphony No. 99
June 2024Kinda’ Jazzy
  • Milton BabbittAll Set
  • CoplandClarinet Concerto
  • GershwinPromenadeSara Marsh, clarinet soloist
  • Darius MilhaudLe Bœuf sur le toit
April 2024If it ain’t Baroque, don’t fix it.
  • Dietrich Buxtehude / Carlos ChávezChaconne in E minor
  • H. StölzelTrumpet ConcertoDavid Pittel, trumpet soloist
  • J. S. Bach / Anton WebernRicercar from The Musical Offering
  • RespighiThe Birds
November 2023A Look Back
  • RavelLe Tombeau de Couperin
  • HaydnCello Concerto in C majorJohn Walz, cello soloist
  • StravinskyEight Instrumental Miniatures
  • ProkofievClassical Symphony
September 2023Catharsis
  • BeethovenCoriolan Overture
  • Arnold SchoenbergTransfigured Night
  • MozartSymphony No. 40

THE WESTSIDE CHAMBER ORCHESTRA

Westside Story

The Westside Chamber Orchestra is a professional orchestra in Santa Monica, California that was started in 2023 by Sounds Like LA with concerts produced by The da Camera Society. In 2026 the WCO became its own incorporated non-profit institution.

We present an annual series of bold, imaginative, aspirational concerts, thoroughly prepared and presented with context and vitality to give our audience an enriching experience.

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Board of Directors

OUR MUSIC DIRECTOR

Brian Stone

Stone is a passionate conductor. He eschews the baton, preferring to use his hands and, indeed, his whole body, to direct the players. He often appeared to be dancing ecstatically to the music, even as he was utterly focused on the players. They responded magnificently, giving this big, warm symphony (Dvorak #6) the treatment it deserves.” Chico, (CA) News and Review

Conductor Brian Stone had everyone’s attention;” Boston Globe

The hero was conductor Brian Stone ...(who) galvanized the Boston Conservatory Orchestra and made musical sense of every bar.” Boston Phoenix

Prize-winning conductor and award-winning teacher Brian Stone has worked both in the opera pit and on the concert stage with professional orchestras in California, Missouri, Indiana, Utah, Maryland, Florida, Alaska, Washington, Kansas, Connecticut, Romania, Germany, Hungary and Bulgaria, and students at The University of Maryland, The Johns Hopkins University, Ohio University, Boston Conservatory, University of Mobile, San Diego State University, Stanford University, the National Conservatory of Colombia, The Claremont Colleges (CA), The Catholic University of America, and the All-State Honor Orchestras of Delaware, New Jersey, Pennsylvania, and Southern California, to both public and institutional acclaim.

As a young conductor, Brian was chosen to conduct in the League of American Orchestras’ well- known elite Bruno Walter National Conductor Preview with the Utah Symphony, The Festival at Sandpoint’s Young Conductor Showcase with the Spokane Symphony and, was awarded the “Special Prize” at an international conducting competition in Romania. In 2008 he received the prestigious Jessie B. DuPont Award in Music Education in recognition of his work and in 2009 he was awarded the “First Honours Diploma” in the 29th MasterPlayers Music Competition. Upon stepping down as Music Director of the Santa Clarita Symphony, Brian was honored with a Certificate of Appreciation by the City Council.

In a decade as director of the University of Delaware Orchestras, Stone developed a three- ensemble area of orchestral activities that doubled the enrollment, tripled the number of performances, and quadrupled the audience. His sophisticated programs, ranging from Baroque to Contemporary, and the Classics to Jazz, Broadway and Hollywood received national recognition. In 2009 the UD Symphony was invited for the first time in their history to perform at the Music Educator’s National Conference convention.

Brian began music playing saxophone in the public schools of Santa Monica, California. Already an exceptional player as a youth, he went on to win several competitions. Later, he took up viola and piano, and started composing as well. Stone is a graduate of Bennington College in Vermont, where he studied composition, viola, and literature. In a diverse musical life, he has been thrilled to work with many extraordinary and highly regarded musicians including: Branford Marsalis, George Perle, Bethany Beardslee, Gilbert Kalish, Leon Fleisher, Karel Husa, Eddie Daniels, Walter Ducloux, Gerard Schwarz, Marvin Hamlisch, Leonard Slatkin, Piero Weiss, John Shirley-Quirk, and Ivan Fischer.

Dr. Stone received a Master of Music degree and a Doctorate in conducting from the Peabody Conservatory where he studied with Frederik Prausnitz and Gustav Meier. Additional studies in conducting took place at Le Domaine Forget in Canada with Otto-Werner Mueller and two summers at the Festival at Sandpoint with Gunther Schuller. He also studied with Harvey Pittel on saxophone, Jacob Glick on viola, Bill Dixon in improvisation, and Allen Shawn and Henry Brant in composition. He entered the profession as an understudy conductor at the National Symphony and as an assistant at Baltimore Lyric Opera.

Conducting Internship

The WCO offers internships for young conductors; one conductor for each concert cycle. It includes attendance at all rehearsals with the possibility of conducting the orchestra in a rehearsal and two private lessons with Brian to go through the scores and to go over the rehearsal conducting. Printed program credit is given as well.

Brian's conducting students have gone on to study at Northwestern University, Rice University, and Tanglewood as well as holding music directorships at professional, student, and community orchestras. He is acknowledged as a resource in three conducting books: Conducting with Feeling by Frederick Harris (Meredith Music), The Conductor and his Score by Gustav Meier (Oxford University Press), and Markand Thakar’s On the Principles and Practice of Conducting (University of Rochester Press).

A young conductor and Brian Stone gesturing during an orchestra rehearsal

MAKE AN EVENING OF IT

See you
at the concert.

In the heart of Santa Monica

All five concerts take place at St. Paul’s Church, 958 Lincoln Boulevard, Santa Monica.

Join us on Saturdays at 7:00 p.m. Choose a concert above and follow its Eventbrite link for tickets.

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Contact Us: info@westsidechamberorchestra.com